Authors are a special breed. We are generally both readers and writers, and yet too often, when we think, if at all, it’s as writers. We leave our reading hats at the door, which is usually a mistake. Especially as self-publishers.
What do I mean?
I had a discussion today with a friend of mine, also a writer, about genre, and writing cross genre, or genre-blending books. Which gave me a chance to pontificate – something my blog readers know I enjoy doing, whether I know anything about the topic in question or not.
Specifically, my thinking about genres is that we should view them as readers, not as authors. What do I mean?
NEWS: My new guest blog on Tinderboox is raising some eyebrows.
When a reader buys a Russell Blake book, he/she is probably expecting something along the lines of Ludlum or Forsyth – in other words, a thriller with some conspiracy or action/adventure overtones, preferably both. And yet I’ve written several books that don’t really fit that genre – most notably The Voynich Cypher, which is an Umberto Eco-style treasure hunt adventure, and my latest, Silver Justice, and my first, Fatal Exchange, which are really police procedurals with action/adventure and conspiracy overtones. And I think that could have confused early readers – if someone bought all my Assassin novels, or buys my forthcoming JET series, they expect mile-a-minute action/adventure tales from all my books. So then they buy Geronimo Breach or Dephi – no problems. More of what they like, or at least close enough so they nod along. And then maybe they buy Zero Sum, which is also what they expect, and then buy the second volume in that series, The Voynich Cypher, and they get…an action/adventure novel of the type Dan Brown has made popular. Now, many love that, but I can see where it would be disorienting. “Damn. I thought I was going to get more typical Blake, and suddenly I’m in the Roman catacombs decrypting ancient clues.” Fortunately, most seem okay with my dalliance in a type of fiction I love, but if Voynich was the only of my books anyone had read or I only had two or three books out, and then they moved to any of my other books, I could see the danger of them thinking, “I wanted Foucault’s Pendulum, not the Bourne trilogy,” and deciding not to buy any more of my work because they didn’t get what they were expecting.
My readers tend to be a bright bunch, and luckily they’ve entertained my lapses into something off the beaten path now and again. But I could see an author with, say a couple of books in a series that were, I don’t know, Hard Boiled Noir Detective genre, who wrote a masterful medical thriller, and then had a hell of a time getting folks to buy it. Why? Because the chances are that the audience he developed is a hard boiled detective audience, and it won’t necessarily like or want or appreciate a medical thriller, no matter how brilliant. His/her detective readers won’t buy the book. Because it’s not something they’re interested in.
Publishers know this. Le Carre is espionage thrillers. Ludlum is conspiracy thrillers with action aplenty. Harris is serial killer thrillers. You know what you are getting when you buy the name. Harris doesn’t put out a romantic comedy. At least not deliberately. Or sober.
People are creatures of habit. We like the familiar. As readers, we tend to seek out whatever we prefer as a guilty pleasure because it makes us comfortable, or entertains us in a particular way we like. We like easy choices. That’s why a series is an easy buy. We like book one, we know what to expect in books two through twenty. We like that. Maybe we will move to another series of the same type by the author afterwards, or maybe even try his other books, as long as they aren’t too far outside of our designated comfort zone. But we don’t want to wind up with a spy novel from our favorite science fiction author. We’re likely to never buy the author again if we get that kind of surprise, unless we have stayed with him through a ton of books, in which case we may be willing to forgive him just that once. But now we, in the back of our mind, are thinking, “Is he going to do a switch on me again?” when he comes out with his newest, so we might, just might, not be quite as interested in hitting buy.
That’s how many readers are. And before you start telling me about how you are different, which you may well be, understand that we as a species tend to be, A) lazy, and B) stupid. Not everyone. But many. One might even argue that it’s a majority of us that are, at least as far as our entertainment goes. That being the case, my counsel to authors is to keep it simple. Figure out what audience you are writing to. What genre. Then stick to that genre. Not some other. Not two genres. Understand what genre you write to, because if you don’t, then how the hell is your audience supposed to know? You’re job as a publisher (as opposed to an author) is to clearly define a product for a clearly-defined audience, which presumably you believe is worth marketing to. If you’re unable to do so, and get all authory, a la “Oh, my work’s different, more of a romantic suspense space detective literary fiction thing,” they guess what? You are saying you have no idea who your target market is. “All readers” or “readers who enjoy diversity” is not an answer. That usually equates to no readers.
If you want to build sales over years and have a readership that follows you, stick with what you, as a brand identity, are known for. But what if you don’t have a brand identity yet, you mewl? Then now’s the time to develop one. If you have no idea who you write for, how would you expect a reader to figure it out? Job number one as a publisher is to communicate clearly what your book’s target market is so that the audience can find it. If you don’t communicate it, then you’re muddying the waters and making it harder for readers to choose your books, as opposed to someone who is targeting well. Take Harlequin. They publish romance. You aren’t expecting Silence of the Lambs when you buy their books. And you don’t get it. You get what they are known for – alternatively, if you buy a Tom Harris book, you don’t get Love’s Silent Fury.
Or consider McDees. They make mediocre burgers that are relatively cheap that always taste the same and are served fast. You know what you’re getting. They make it easy to think, “I’ll go there, I know what they make.” Maybe they are trying the new McFiestaBlowoutWrap, but my hunch is you didn’t choose to go there because of it, nor are you that likely to order it or enjoy it if they gave you one by mistake. Because you had an idea of what you wanted when you went in. And that’s what you want.
Authors. Learn from Coke’s disastrous New Coke experiment. People don’t want a surprise. They buy Coke because it tastes like Coke. They don’t want Coke to taste like Pepsi. They would buy Pepsi if they wanted a soda that tastes like Pepsi. If you are asking people to buy your books, my advice is to keep your voice the same book after book, and keep the genre clear and well defined. Because if you build a readership, or hope to, it won’t want you to switch to something else. It wants what it buys you for. You are the brand. You are Coke.
I know. As authors we want to be able to say, yeah, but we are so much more than just Coke. We’re Coke, and Pepsi, and Mountain Dew, and Hawaiian Punch. Guess what? You’re an author that nobody is likely to buy, because you’ve confused the consumer – and they don’t want to be confused. They want what they want.
Without belaboring this, authors need to think like readers. While there are a few exceptions (Stephen King can write whatever genre he wants and people buy it because he’s Stephen King – he IS the brand), genre fiction readers want to read within a genre. Not across two or three. If you don’t believe me, try it, and watch your sales do nothing. Again. Keep it simple, and communicate clearly what you do so your readers can find you and then stick with you.
If you want to write in other genres, do so under a pen name. Let your audience know you’re doing so. Some will want to shift over and see what you’re up to under your other name. But most may not want to. So your pen name can develop its own readership. Want to write about trolls? Fine. Can’t be the same name that writes psychological thrillers. It’s confusing. You’ll lose everyone, and nobody will be happy. Your troll audience will be confused by your books that aren’t about trolls, and your psych thriller fans will hate you for the trolls. They won’t want to spend money pulling the handle of a slot machine to see what you are thinking your next book should be about, genre wise.
I’m sure I’ll get a lot of authors complaining that it’s so limiting, and that they’re different, and that the new era of ebooks means all those old rules are out the window. Guess what? No they aren’t. It’s called brand marketing. It’s been around longer than you have. It will be around longer than you will be. Ignore it or fight it at your peril.
Note I’m not saying restrict yourself in what you write. I’m saying take off the author hat and put on a publisher’s hat, which involves thinking like a reader. So here’s your next book. What product is it? How to describe it so the audience you know you need to sell it to in order for it to be successful, buys it? Who is that audience, and what does it want?
My forthcoming new JET series is filled with nuance and contradictions and depth. But at its heart it’s an action/adventure series. Like my Assassin series. My elevator pitch for it is four words: Kill Bill meets Bourne. That’s it. Everyone knows what it will deliver from those four words. You liked the movie Kill Bill? You like The Bourne Trilogy? You’ll love JET. Looking for love among the cactus or a glittery vampire tome? Not so much. By understanding what I am, and what I write, I have targeted my audience with precision. I try to make it easy for that audience to find me, and take a flyer on my work. And I try to make it easy for my current readers to stay with me. I’m not throwing them for a loop. There will still be surprises, and the work is not formulaic, but it knows is what it is. I repeat. It knows what it is.
If you have books that aren’t selling, part of the problem may be that your audience can’t find you because you don’t know what your book(s) is(are). You aren’t selling because of a failure to communicate. If you pen a space cowboys novel, it’s not a western. It’s sci fi. With cowboys. But it’s not a western set in space. It’s sci fi featuring cowboys. Why? Because you may find some sci fi fans who are entertained by the idea of cowboys in space, but you are probably not going to find a lot of western fans that are thinking, “Shit, put a rocket and a ray gun in there and I’m all over it!”
Be clear about what you write. Then communicate it clearly. Package it so the audience can easily figure it out.
Selling books of any kind is hard. Don’t make it harder. Give the nice readers something they can understand, so they can decide if they want to read what you are selling. Easy.
Now go write.
I care a lot.
I really do. About many things. Mostly, about how much abuse one’s liver can take, and whether it’s possible to collect the social security payments of one’s deceased neighbors in a foreign country. But other things, too.
One of the things I’ve found myself caring about lately is the wisdom of making my work free periodically. I speak to many authors, and most are concerned about the creation of a culture that doesn’t value our work. I’ve had people tell me, “Oh, I can’t wait for that to go free so I can read it” after hearing that one of my books has been rated well. Often, that sort of a statement comes from another author.
NEW! Three Questions – a hyper-short interview with Van Heerling. Worth a moment of your time.
WOW! 5 star rave from The Kindle Book Review for The Geronimo Breach is truly worth reading
BOX BOX BABY: What’s that, you ask? Why don’t I have any box sets? I do now! Three of my enduring faves at a 20% discount!
Which raises the question of whether we have created an environment where the very thing we do, which is write, is considered near, or completely, without worth. My hunch is that there is a decent audience out there that hasn’t bought a book in months. Why would you, if every day thousands go free? Doesn’t really make much sense to, does it?
I’m not sure what to do about it, as there is still merit to putting one’s work free via KDP Select, albeit at a 10% effectiveness rate of what it was 2 months ago. But you see 20K downloads, and then a net increase in sales of 200 books, does the incremental financial gain justify the damage that is done by creating an ocean of free content? Specifically, are we causing our own demise chasing nominal sales bumps?
Some argue that it’s all good, and that we shouldn’t fret all the free content. That the majority of readers still will pay for content they find worthwhile. Perhaps, but my sneaking suspicion is that a fair percentage of the small minority that were willing to take a chance on an indie name have converted to those who will do so, but won’t pay. I’m not sure what percentage of that group is no longer buying books, but my hunch is that it’s substantial. I know this because I haven’t bought a book in about four months, and most of my friends who read haven’t either. And we used to – before December, when the free thing hit. But now, I’ve got so much content waiting to be read, I haven’t bought anything for a while.
Now, some might say that makes me a bad man. Others claim I’m bad for a lot of other reasons, but that’s not my point. Whatever I am, I’m probably typical of a fair number of folks out there. I mean, I want to and understand why it’s important to support other authors by buying their books. And yet I haven’t. Actually, I take that back – I bought three this year so far. But last year I probably bought thirty.
Maybe I’m alone in this. Maybe everyone else is buying like crazy. But I suspect not – unless you’re a romance author, in which case you’re occupying most of the top 40 indie slots and your books are selling like coke at Studio 54 (how’s that for a dated reference?). Most of my author acquaintances aren’t selling very well over the last 45 days. Most are complaining that their sales are off by 50% or more over the last 2 or 3 months – and I’m talking around a hundred authors. Now, nothing scientific here, but if only a few out of a hundred are doing anywhere near what they were in April, then that’s not seasonality, or genre, or fickle markets. That’s a trend.
For that reason, I cancelled my plans to put my new release, Return of the Assassin, free when I launched it at the end of May. And my newest WIP, tentatively titled Silver Justice and targeted for a July 4 release, probably won’t ever go free. Neither will the next WIP, Jet. Because in the end, the hoped-for sales bump that was the lure for doing the free thing isn’t nearly as meaningful as it was, and I now see no evidence that giving away 150K free books (that’s about how many I’ve given away this year) is worth the potential damage it causes to my brand. When giving away 20K books translated into an extra 2K in sales at $5, that made sense. For an extra 200, not so much. And it fosters an environment that is counter-productive long term.
My goal in writing is to write the best work I can. My goal in running a self-publishing business is to sell enough books to make it worth doing. My business goal is to have a dozen or more paid thriller titles available by year’s end (not counting deliberately free books like Night of the Assassin or the first book in Delphi). My thinking is that if I can sell a reasonable number of each title at a reasonable profit, that’s a decent business. It’s not a get rich quick business, and it’s not an easy business, but it’s one that could be sustainable and might build over time – one would expect sales dollars with twenty competent thrillers out to exceed what one would see from ten, and so on.
Free is antipodal to my long term goal.
My long term goal is to continue writing and make a decent return for my efforts. I can’t see how free will do anything but perpetuate a negative from here on out. I have a few free promos for the month, but I think that’s it for me. The extra few hundred books I might sell isn’t worth the long term damage I believe free is causing to the perceived value of books. That’s an emotional response, but I think it’s a legitimate one. And I don’t think I’m alone in that observation. We all delighted in the sales spike free brought before the algorithm change over a month ago. I know I did. Those were heady times. But they’re over. And now, like most drunk jags, we have to deal with the hangover. And this will be quite a hangover, I think. I believe we’re already seeing it in indie sales. Take a look at the Amazon Top 100 today. What percentage are trad pub or magazines? A quick glance says a much larger chunk that two months ago. I count 24 indie titles in the top 100, of which 80-90% or so are romance novels. The rest are trad pub. That is about 75% trad pub. I don’t think it was nearly that high a few months ago. Am I wrong?
So where does that leave me as an indie author? I’m still writing. I will still be putting out another five novels this year. Already know which ones I intend to write – Silver Justice, Jet, Fatal Deception, a Delphi sequel and an Assassin sequel. Already finished SJ, and will be editing for the next few weeks before launching into Jet. Next year, more like three novels. Maybe four. More of a sane pace. If you call that pace sane.
That’s where my thinking is today. I reserve the right to change my mind tomorrow. But I probably won’t. Unless I do.
On June 7, I’ll have been self-publishing for exactly one year.
My first offering, Fatal Exchange, continues to sell well – in fact, it’s selling more now than ever.
My second book, How To Sell A Gazillion eBooks In No Time (even if drunk, high or incarcerated) is languishing. I guess authors don’t buy books, or perhaps they don’t have a sense of humor about the business. So that’s been somewhat of a dud from a sales perspective, although a hoot from a creative and acclaim perspective. Go figure.
My third, The Geronimo Breach, is also selling well, although it varies from white hot to so-so, depending upon pricing and promotions I’m running. Still, it’s gotten rave reviews, and is one of my favorites, and I have to give it a thumb’s up from a sales standpoint. That’s one I think will still have appeal a decade from now, so I’m confident it will earn its keep.
NEWS: An interview with author Felicia Rodgers and yours truly on The Voynich Cypher.
UPDATE: New guest blog at Manic Readers on writing The Voynich Cypher. A good one.
I’m not going to list all my books. Don’t worry. You didn’t come here for that. You came here because of the free stuff I routinely give away, and the nude photos, I know. What? There aren’t? Oh. Never mind then.
Self-publishing has turned into a truly awesome experience for me – far better than I’d ever hoped. I’m selling at a clip that I’d hoped to hit within three years of entering the market, not ten months. So that’s great. But it has also given me a chance to live my dream. No, not being a pole dancing male burlesque stud grinding for the drunk tourist women at Jalapenos – I just do that for the cash and the workout. And no, also not naked ice dancing, although that’s certainly my first love. What I’m speaking of is being an actual author who makes his living writing books.
I had sort of given up that dream after my only encounter with the whole NY traditional publishing game in another life. It just seemed like I was going to have to surrender all my control, and dance like a trained chimp to the beat of countless editors, agents, marketing consultants, etc. while making peanuts, if that. I don’t have the patience for doing things on other people’s timelines, which is why I’ve never been a good big company player.
When I first heard of success stories in self-publishing I was skeptical. Konrath, Locke, Hocking, Eisler… I don’t know. It sounded too good to be true. But after I bought my first kindle I got it. I understood why that simple device had changed publishing forever, as had Amazon. I saw the future; one where tens of millions of devices were voraciously devouring high quality content, and I realized that if I could create even an interstitial awareness of my writing, there might be a there there. So I went the OCD route, and committed to write as close to a million words by the end of 2011 as I could manage. I got pretty close. 12 releases. None I have to be ashamed of.
2012 I’ve slowed the pace, and have targeted releasing 6 to 8 novels, depending upon my mood and the muse’s availability. I’ve got two in the can, and have started the third, so hitting my goal isn’t going to be a problem, I don’t think.
2012’s first release, The Voynich Cypher, has been big so far, and I hope it continues to attract reader attention. The next one, Revenge of the Assassin, a sequel to King of Swords, will release end of April, and then another sequel to King will release end of May.
Because of self-publishing, I’m getting to make my living, in retirement, as an author, and doing so on my terms, at my pace, with my vision of what the work should be like, what the covers should portray, and what price the books should sell for. As a creative person, I can’t tell you how good that feels. Happiness is fleeting, and getting to do something I love and get fairly compensated for it, as well as connect with readers, defies description. It’s a rush. It makes everything seem worth doing. I recommend it highly.
For that opportunity, I’m grateful. And while I at times have a love/hate relationship with Amazon, without their visionary approach to self-publishing, I’d be relegated to laying around on the beach considering my navel. So for that, I owe them one.
As I owe those who have purchased my work, and then told a friend. Without readers, a writer isn’t very fulfilled. It’s readers that make the experience complete.
So for everyone out there who might be debating self-publishing, all I can say is that to date it’s the most rewarding decision of my life at a host of levels. I hope that continues, and would encourage you to take the plunge and give it a shot. The water’s warm, and the view is just fine. Although the hours can be brutal, and there’s no guarantee that you’ll walk away from it with much more than the glow of the experience. Much like life, that.
My last blog focused on the positives and negatives of the Amazon KDP Select scheme, particularly pertaining to the loan fees and how they compare to outright sales commissions on higher priced books.
This blog will focus more on the value of the actual promotions, and explore what, if any, benefit one can hope to garner by giving away thousands of books. I’ll do this by describing my own experiences with one of the titles I made free.
Last month, I dipped my toe in the water by making The Geronimo Breach free for three days. During that time, I saw about 12K downloads. Not too shabby. Then, when it went back to paid, a funny thing happened. After languishing for the first day, it shot like a rocket, finally hitting #165 in the paid kindle store.
All good. Or rather, all should have been good. One problem was that the book was .99 rather than $3.99, due to price matching with Barnes, which after three weeks still hadn’t taken the book down, even after numerous e-mails. And .99 was the wrong price anyway, but I digress. The point is that Amazon’s software matched it, so folks were downloading 500+ books a day at .99.
Sales peaked at day 3-4 of being paid, and then started dropping off, bottoming at week three or so.
At the time, I didn’t know what to make of the data. I was frantic on day 5 – what was going wrong? Why did God hate me? Were the clowns behind it? What gave?
Turns out that this is a very predictable and knowable cycle for those who have done free days. Reason is because the Amazon algorithms pick up on the ranking from when it was free, and begin featuring the book on their recommendations pages about, you guessed it, 24 hours after going back to paid, as well as in the “also bought” strip at the bottom of other books your shoppers picked up. Over the next two to three days, love is in the air, and sales roll in. But then the book, whatever it is, gets pushed off to the second tier to make room for the more recent titles that did well since then. And the buying from folks Amazon was presenting you to dries up, little by little, and you’re back to your old run rate. Sort of like being a Hollywood starlet who briefly dates a celebrity, you have to be satisfied with and enjoy your moment in the sun, because it won’t last.
But knowing this presents an opportunity. It suggests a way to play the game so you can win, if you’re an author. Specifically, you can understand the phenomenon and capitalize on it. How? By running another free promotion 4 to 5 weeks after the first one. Maybe at 6 weeks, maybe at 3 1/2. Depends on sales. But you can repeat the performance.
Let’s go back to The Geronimo Breach. Thursday, it went free for 24 hours. It saw 10K+ downloads, and hit #11 in the Amazon free store last night. Most of the day, it, and one of my other free titles, The Delphi Chronicle, were #2 and #5 in Kindle free Action/Adventure.
That’s the second promotion, and it was more successful than the first – 10K in one day versus 12K in three. And the best part? I didn’t tweet about it. I didn’t do anything. Because I’d forgotten I was going to run it, and only figured it out halfway through the day when I checked my rankings. So that was with no social media at all, other than a few tweets from some friends (thanks Claude!) and being listed as free on several websites that picked it up. One of the best I’ve found for thrillers being Epic Kindle Giveaway (I follow it on Twitter at @eBookSwag), as well as The Digital Inkspot, and Digital Book Today. Others that may or may not pick it up are Cheap Kindle Daily, Pixels of Ink, and a host of others. Google them for a complete listing. There seem to be new ones every week. Most are very good for what they are, and save a lot of time.
I am now at day one of The Geronimo Breach being back to paid. Before the promotion, I was #9K-#11K overall. Today, so far, I’m at #2300 or so. At $3.49 – a sale off my usual $3.99 price to encourage folks to buy over the weekend. I’m sure if I lowered the price to .99 it would sell a lot more books, but given that I would need to sell 8 times more books at .99 to see the same revenue as at $3.49, I question whether it’s a smart idea. I also don’t want to brand myself as a buck a book author. Lord knows that is played, and there are more than enough of them out there. We shall see how sales go as of late this evening and tomorrow, but I’d say the trend is positive at this point. Even if it only stays at 2300 for four days, hey, that’s an improvement over where it was, and there are 10K more people with it on their kindle now – probably the most important thing for an author like me, who has a slew of titles and is adding to them seemingly every month. Because I believe the primary value of free is familiarizing readers with the work.
To put that into perspective, I’ve had around 70K free downloads of my work since I started giving books away. That’s a lot of downloads. A lot of folks who can decide they love, hate, or are ambivalent about me.
What is the takeaway from all this? Do Select freebie promos every 4 to 6 weeks, don’t freak out when day one sucks or starts slow (remember the algorithm, my friend) and then promote the hell out of it days 1-5 of it being paid. Recognize that the decline in sales over the next two weeks isn’t a function of an angry and vengeful deity singling you out for persecution, or that word of mouth has spread and your book sucks (I mean, either are possible, but not a given, is my point), or anything else. It’s a function of the Amazon algorithms having moved to new, fresher, more exciting faces.
Think of that first 4 or 5 days as your time at the bar where everyone wants to buy you drinks. Day 6 on is where a new kid on the block captures everyone’s attention, until you are ultimately yesterday’s news. Unlike the dating world, though, you can repeat the performance over and over (well, I suppose that is a little like dating – wink) and hopefully see a higher trough each time you decline. Then again, I’ve also heard that the effectiveness of the free days diminishes for a title each time through the cycle, so there is probably a point where it won’t work any more. But cross that bridge when you come to it.
For now, if you’re in the program, make hay while the sun is shining.
I have been asked how my recent three day jaunt on Amazon went.
The one where I made my thriller The Geronimo Breach free for three days.
I think I’d accurately compare it to being sixteen, and handed the keys to dad’s Porsche while discovering that I have the house to myself for three days…and the liquor cabinet’s open. It’s that kind of “Wow” moment.
First, to the numbers. Over the three days. roughly 10,400 people downloaded the book. That’s a lot of people. How many will actually read it is probably a fraction of that – maybe 20%, maybe 30%. I’m using highly scientific proprietary algorithms to come up with those number, by the way, incorporating numerology and magnetism (available in my upcoming releases Attraction, Repulsion, Alignment and Of Course He Tricked You, Douchebrain).
MORE ACCOLADES: Fatal Exchange was the favorite book of 2011 for Kate Farrel at The Kindle Book Review.
INTERVIEW: I was interviewed about writing and craft by @WritingTips101. Worth a look, & please Stumbleupon it at the bottom using the little green button.
NEW INTERVIEW: I was interviewed by South African blogger Nadine Maritz, and the result can be seen here.
IMPORTANT! Night of the Assassin just went FREE on Barnes and Noble. Please help me out here. Go to the Amazon page for Night here, and scroll down below the rating, where it says “Tell Us About A Cheaper Price.” Then click that, and enter the link to B&N, which I post below, and enter 0.00 as their price. I would appreciate the help in having them price match it. Thanks so much. Here’s the B&N link.
Those are big numbers. And oddly, downloads increased roughly 20% per day over each prior day. Extended out over time, that’s an exponential curve that will have more people on earth with a copy of The Geronimo Breach within a few months than have spent days with Girl Who Kicked The Hornet’s Nest reading about shopping trips to Ikea and frozen pizza. Which is why I put a stop to it. Shut it down. Promo nomo. I didn’t want to tip the poles or cause a cosmic imbalance due to all the kindles filled with my work. Not for free, anyway.
Why would I give my book away for free – a book that’s garnered rave reviews, and has been described as unique in most of the 23 four and five star reviews? Obviously, because I hope to get something.
My bet is that if, say, 2000 of those fine, discriminating folks actually read the book, most will become repeat customers of my other titles. That would translate into a nice sales bump. Additionally, it would increase my visibility as an author, which should translate into a long term net positive both in brand recognition, as well as sales. So it’s really a loss leader. Like a dope dealer. First time’s for free.
I fully expect some of the one star drive-by reviews to happen, as I’ve seen that as a regrettable by-product of free book distribution. Some might say miserable pr#cks with no lives who delight in trashing things for no good reason are drawn to free books, and that these lowlife f#ckwads, who are easily recognizable due to their never having reviewed a book before, are basically vandals who delight in tearing down the work of others, good or bad, for the thrill of any attention it might bring, and should be dragged behind a garbage truck through rusty nails and broken glass while splattered with battery acid and bleach in any kind of just world. I take a more charitable stance, and view them as mentally ill – the not too bright angry cousins who would be torturing animals if they weren’t busy prowling the net expressing their disturbances in a more benign way. I’m all about tolerance here, and when I say my critics can bite me, I mean it respectfully, of course. Let’s be clear about that.
I believe the vast majority of readers will vote with their wallets. If they think the work is redeeming, they’ll buy more of it. If not, they’ll shut the kindle off after a few minutes and move to the next one. That’s what I do. Life’s too short to read crappy books.
If my belief is correct, and if Geronimo is actually as good as everyone has said (and as of this writing, it has 21 five star and 2 four star reviews on Amazon), people will read it, hopefully like it, and then buy another of my titles.
I shall keep everyone informed of how that works out. I’d hope to see a 20%-30% increase in sales in January, and a sustained increase thereafter. We shall see.
To everyone who downloaded it, thank you, and enjoy. Let me know what you think. It’s one of my favorites – Al was a fun character to write, and it was a delight to do so. I hope you enjoy reading about his exploits as much as I enjoyed creating him.
If you like this blog, hit the green “Stumbleupon” button at the bottom and recommend it to others. Spread the word. Oh, and vote for me for a shorty award so you can watch me annoy legitimate talents with my inappropriate antics at the presentation ceremony. I understand drinking may be involved. Wink.
I’ve had numerous folks ask me who my cover artist is. E-mail me through this site and I’ll give you the skinny. Good, fast and cheap.