I’ve been promising to unveil my big news for what seems like forever (November’s big news became December’s big news, and, well, here we are), and it’s finally time.
This week, oh nobody, just the Wall Street Journal, broke the story on page one.
NEWS: A new blog on how to be a prolific writer, at All That’s Written. Worth taking a look at if you’re an author.
The article itself is humbling in and of itself, but the news is also big: I’m co-authoring a novel with none other than the legendary Clive Cussler, appropriately monikered the “Grand Master of Adventure.” It will be the next installment in the bestselling Fargo series, and I’m excited by the opportunity to work with a master of the genre.
My name will be on the cover, along with his. I’m arguing to make it almost all me, in raised, neon red lettering, but it remains to be seen how persuasive I am. As always, please, those at home, no wagering.
Why is this news significant, other than because it will be published by a Big 5 publisher? Because an indie author has been selected by a household name to collaborate on a novel. As you might imagine, someone like Cussler can have whoever he likes – he has authors begging for the opportunity.
But for him to have teamed up with lil ol me…well, you get the point. It’s a watershed moment for indies, because there has long been this sentiment that the reason authors are indies is because they can’t cut the quality at the trad pub level, and so have to release their material themselves. This handily rebuts that belief.
The truth is that there are plenty of terrible indie releases. And there are plenty of great ones. Just as there are plenty of good and bad in any of the arts. But with authors like Hugh Howey, Colleen Hoover, and H.M. Ward scorching the charts, indies have clearly arrived, and the market’s embraced them – or at least, some of them.
I went the indie route because I’m impatient. I didn’t feel like waiting years to find an agent that would “get” my work, and then another year for a publisher to decide whether it fit in one of the slots they had for that season. Not to mention another year for it to actually reach readers. That just didn’t seem worth it to me. For others, it did, and I have no issue with their choice. I just didn’t see it as a productive use of my time.
When Amazon broke big with 70% royalties, I understood the game had changed. Now I could release books written the way I wanted to write them, on a schedule that worked for me, and I could keep most of the money, assuming I made any. After hearing about authors like Hocking and Locke breaking the bank and selling tons in this new paradigm, I decided to jump in. Now, 25 books in 30 months later, I feel like my decision was vindicated, not the least because I’m writing with one of the most successful authors in the world and having a ball in the process. If you’d told me years ago that I’d be writing with the author of Sahara and Raise The Titanic I would have laughed you out of the room. Now, not so much.
What a long, strange trip it’s been. 30 months of basically non-stop work on a crippling schedule of my own devising. Has it been worth it? Absolutely. No question. Will I keep it up? Not a chance. You can only run an engine in the red for so long, and it starts to come apart. 2014 will involve fewer Russell Blake releases and more attention to each, with forays into romance and NA as RE Blake (following my own counsel to brand different genre offerings differently so Russell Blake fans don’t mistakenly pick up an RE Blake “Lust on the Range” tome, or RE Blake readers don’t buy an Assassin or JET book and go, “Where’s the sex, and why is everyone getting killed?”) By branding each genre’s offering in an unmistakably distinct way with a different name, I hope to avoid that, and build a readership in other genres based on the merits of my stories. Only time will tell whether that’s deluded or brilliant.
The WSJ article is a must read. It’s a good capsule summary of some of the high points of my career, such as it is. I wish it had mentioned that I take considerable pride in the plot and prose, and not just the rate of release, but hey, everyone’s a critic. The only thing I dislike about it is that my privacy is now going to be harder to maintain, but I can always get plastic surgery or wear a fake nose or move to Ecuador or something. A sex change isn’t out of the question, either. Small price, I suppose.
For those who are new to my work, I’d suggest taking a look at JET, which is my most popular series. Pure escapist action adventure with a female protag battling for survival. Think Bourne crossed with Kill Bill seasoned with a little Bond, and you’re not far off.